Posts Tagged: Houston

Ultimate Equipoise

“If they say, Come Along with us, let’s lie in wait for someone’s blood, let’s waylay some harmless soul; lets swallow them alive, like the grave, and whole, like those who go down to the pit; we will get all

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Ultimate Equipoise

“If they say, Come Along with us, let’s lie in wait for someone’s blood, let’s waylay some harmless soul; lets swallow them alive, like the grave, and whole, like those who go down to the pit; we will get all

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Rehearsal Notes Benjamin Britten

Hymn to St. CeciliaRehearsal 18 Something that is confusing is the constant rhythm expressed in the bass line. I do not hear or feel that consistency to set up the other lines above that quarter note rhythm. As an instrumentalist

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Rehearsal Notes Benjamin Britten

Hymn to St. CeciliaRehearsal 18 Something that is confusing is the constant rhythm expressed in the bass line. I do not hear or feel that consistency to set up the other lines above that quarter note rhythm. As an instrumentalist

Rate this:

What happens when an accompanist is not just an accompanist?

am involved in a wonderful discussion about the role of the soloist and the accompanist in the creation of musical works. Dr. Kennith Freeman and I are engaged in an internet discussion about a recent experience in Houston, Texas when we performed together for the first time. The event was called “Mosaic” and we collaborated across the miles in the United States before we met, each with different ideas and ideologies about how a performance should go.

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What happens when an accompanist is not just an accompanist?

am involved in a wonderful discussion about the role of the soloist and the accompanist in the creation of musical works. Dr. Kennith Freeman and I are engaged in an internet discussion about a recent experience in Houston, Texas when we performed together for the first time. The event was called “Mosaic” and we collaborated across the miles in the United States before we met, each with different ideas and ideologies about how a performance should go.

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MOSAIC

MOSAIC

Sandra Cox Flute Kennith Freeman Piano

Jere Douglas Clarinet James Katzenberger Guitar

Sean Salamon Trio for Flute, Clarinet and Piano Dr. Cox, Mr. Douglas, Dr. Freeman

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MOSAIC

MOSAIC

Sandra Cox Flute Kennith Freeman Piano

Jere Douglas Clarinet James Katzenberger Guitar

Sean Salamon Trio for Flute, Clarinet and Piano Dr. Cox, Mr. Douglas, Dr. Freeman

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A Friendly Converstation of Awareness

The caller was Leonard Bernstein and the performance was the Bernstein Mass with cast of thousands. The performance venue was Alice Tully Hall in Lincoln Center and the Gig was a one time thing, not the recording of it, The life of an Independent Contrator and the misunderstandings surrounding it….

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A Friendly Converstation of Awareness

The caller was Leonard Bernstein and the performance was the Bernstein Mass with cast of thousands. The performance venue was Alice Tully Hall in Lincoln Center and the Gig was a one time thing, not the recording of it, The life of an Independent Contrator and the misunderstandings surrounding it….

Rate this: